BOOK LAUNCH EVENT
"DOWN THE RABBIT HOLE: THE FIGHT FOR TEXAS ADOPTEE RIGHTS"
Includes a chapter performance and live panel discussion led by Emily Ramshaw, CEO and co-founder of The 19th.
NOV. 6, 2026 - Livestreamed & Free to Attend In-Person
BOOK LAUNCH EVENT
"DOWN THE RABBIT HOLE: THE FIGHT FOR TEXAS ADOPTEE RIGHTS"
Includes a chapter performance and live panel discussion led by Emily Ramshaw, CEO and co-founder of The 19th.
NOV. 6, 2026 - Livestreamed & Free to Attend In-Person
A Memoir by Patricia Knight Meyer
Published by Unsolicited Press
Some adoptees spend their lives wondering about their origins. Patricia Knight Meyer spent hers wondering if she was a stolen child.






“Meyer’s haunting debut… is both a poignant personal narrative and a work of impressive reporting.”
“More than a personal memoir… a close examination of flawed systems, their lasting impacts, and how trauma, memory, and experience create layers of complexity… Librarians will want to highly recommend it for an exceptionally wide circle of readers.” — Midwest Book Review
“WONDERLAND proves to be a once in a lifetime kind of work, staying with readers long after the last page is turned.” — Indie Reader
Recited to her like a fairy tale, Patricia’s “adoptive” mother loved to tell the story about the snowy January day in 1970 that she and her husband pulled up along a Houston, Texas hospital curb and drove away with their brand new baby. Yet Patricia would grow up celebrating a made-up birthday, haunted by nightmares of "The Dark Man."
At 12, when her parents confess they never received her birth certificate, questions mount about alleged extortion and the impossible choice they say they faced: go to the police and report the shady attorney that acquired the infant or stay silent and meet his demands. Did they really dole out $30K to keep their paperless child? Such revelations compel young Patricia to wonder how she came into this family—no judge, no paperwork, no questions asked—and lead her on a quest to discover "Who In the World Am I?"
Navigating her bipolar mother's alcoholism and caring for her disabled 600-pound father, Patricia spends her teen years trying to save her saviors—unaware of the lifelong threat haunting them: at any moment, someone could come back for their child.
At eighteen, pregnant and standing in her birth mother's shoes, Patricia discovers a shattering secret that launches a lifetime search for answers. But it takes decades—and her adoptive mother's death—before Patricia realizes those holding the truth won't live forever. Guided by her mother's ghost, she races to unlock a labyrinth of lies designed to erase her true identity.
A tumble down the rabbit hole of America's baby trade, part detective story, part searing family portrait, Wonderland exposes what happens when adoption's house of cards finally falls—when missing documents and dark family secrets can no longer withstand the weight of one woman's relentless search for truth. A haunting reckoning with Baby Scoop Era exploitation that asks: are we ready for Baby Scoop 2.0?
THE STORY OF ONE PAPERLESS BABY WHO REFUSED TO BE ERASED
“Was I abandoned, relinquished, stolen? I didn’t know then, but I was for sure sold, like a puppy, or a car, or a second-hand wedding ring.”
“My birth box sits on a high shelf in our hallway closet, stowed away like loot from a real-life bank robbery. It’s lived there my whole life, right in the same place where Mommy hides my Christmas presents, but it’s no big secret. Sometimes, on days like today, I take out our stepladder, crawl up, and pull it down. Each time hoping to find something new. Maybe something I’ve missed, a clue that can tell me a tiny bit of truth about you-know-who.”
Though it feels sneaky, I don’t try to hide what I’m up to. I bring it into the living room and spread everything across the coffee table for examination. “Not again, Peep,” my mother groans, knowing she’ll be the one to put it back in its hiding place and that before she does, I’ll have more questions than she can or wants to answer.
Like a junior detective, I pull off the white cardboard lid and inspect what’s inside: baby shower napkins, notes of congratulations, diaper pins, an old rubber pacifier, a pair of booties. A card with my height and weight—6 lbs. 4 oz., 19 inches—shows no date. A tiny plastic hospital bracelet with a number shows no name.
Copies of Life and Vogue, both dated January 1970, live in there too. A picture of a fuzzy green blob titled “A Living Human Egg” sits on one cover while a pretty model with long dark hair, light skin, and big eyes looks back at me from the other. Is this Vogue model the lady who had me? Was I once a green blob in her belly? I wonder if she knows where I am. And, if so, why in the world she chose this family?
* * *
At only eight years old, I was already searching. For her? I’m not sure. For truth? Definitely. Though I feigned interest in the “cool old magazines,” I longed for answers to my mystery identity. If only that white hat box could have been black, an in-flight data recorder, capturing the suspicious turn of events the day my fate careened into a foreign land.
Our first family picture, dated as developed in February 1970, also lived in that box. It confirmed the start of my timeline and proved parts of the story. Snapped in my Aunt Tweeter’s driveway, it captures the day she drove her brother and sister-in-law—my new parents—to the pickup point for their promised baby. In it, my second mother, a thirty-two-year-old, freckled, one-hundred-and-twenty-pound beauty, stands beside her thirty-four-year-old, three-hundred-pound tan Hispanic husband. Both beam from ear to ear. My new mother holds a billowy white receiving blanket that one can only assume I am swaddled inside, due to the tight clutch of her arms around it.
Mommy described my first being placed in her arms as “a moment of unparalleled joy,” and her words rang sweetly in my ears. “There in the van, when we pulled back all the bunting, we found you’d arrived with scratches on your little face and a full head of hair, except for the bald spots where your tiny fingers had pulled it out.”
Did it not occur to her that a well-cared-for baby shouldn’t have had so many scratches? That a properly swaddled infant couldn’t pull her hair or claw her face? That the child should have come with papers? That you don’t buy babies off the street? At least she never said it did . . .
INDIEREADER Discovery Awards Winner (True Crime) 2026
Eric Hoffer Book Award Finalist (Memoir) 2026
Storytrade Book Awards Nonfiction (Prodigy Award) 2026
Next Generation Indie Award Finalist (Memoir) 2026
INDIES TODAY 2026 Award Winner - Finalist (Memoir) 2026
NYC Big Book Award, Distinguished Favorite, Memoir 2026
Magpie Zine's inaugural Clark Closser Memorial Literature Contest 2026 - Excerpt “Infant Of” Runner-up
Adoptee, Author, and Adoption Reform Advocate
Patricia Knight Meyer is an adoptee, author, and advocate whose beginning started with an illicit black-market adoption. Born sometime in December 1969, she grew up with the story about how she was handed over along a Texas hospital curb in January 1970—no judge, agency, or paperwork involved.
Her forthcoming memoir, WONDERLAND: Memoir of a Black-Market Adoption, lays bare the emotional and legal wreckage of black-market adoption and chronicles how she landed in the unvetted hands of a bipolar alcoholic mother and passive 600-pound father, found her biological parents, unearthed the dirty attorney accused of it all, and received her first true and accurate birth certificate at 47 years old.
A journalism graduate of the University of Texas, book publicist, and digital marketer, Patricia reunited against all odds with her birth mother and birth father in 2010 and 2011, and today writes about the complexities of reconciling multiple families and selves at MyAdoptedLife.com. She is the founder of YAYDNA Genetic Greeting Cards and her reunion story, viewed over 280,000 times on YouTube, continues to inspire others to seek truth and connection.
How far would you go to know who you are?
I didn't name the book after the song. But every beat of Taylor Swift's Wonderland lands somewhere in my story. The first verse, "And we took a wrong turn, And we fell down a rabbit hole. You held on tight to me, 'Cause nothing's as it seems, And spinning out of control" is a wrong turn and a fall, and I hear it twice — once for my birth mother, once for the parents who hired an attorney to move things along and ended up somewhere they never agreed to go.
The chorus, which insists that life was never worse and never better at the same time, is the whole philosophy of raising a paperless baby: real joy sitting on top of a permanent fear, and nobody saying so out loud. The bridge belongs to my birth mother — reaching for someone already gone, going home, and spending decades looking for something to replace what was taken.
In the end nobody came out of Wonderland unchanged. These are the songs playing underneath the story. Tap any one to listen.
Theme Song
Wonderland
Taylor Swift
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Prologue
Is That All There Is
Peggy Lee
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Chapter 4 · Brown Babies
You Are My Sunshine
Elizabeth Mitchell
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Chapter 10 · The Root of It
No Hiding Place Down Here
The Nashville Bluegrass Band
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Chapter 29 · Big Daddy
Walking to New Orleans
Fats Domino
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Chapter 51 · Butterflies
Fire and Rain
James Taylor
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